![]() ![]() Unlike his contemporaries who have long been promoted out of the cockpit into administrative roles, Maverick flies the most cutting-edge aviation technology produced by Skunk Works. Pete “Maverick” Mitchell (Cruise) is now a weathered test pilot. Thus, Top Gun: Maverick takes a more sobering, yet technical direction. ![]() Cummings puts it, “If you try to make a sports movie after we’ve been at war since 2001 – you’re going to lose the military audience.” A New Approach… The original 1986 Paramount Pictures film parallels a sports movie a la locker room scenes, competitive sequences, and winning a trophy. That’s how we were able to go beyond the first film.” –Joseph Kosinski, ASC Mag For Maverick, it was about capturing the experience of actually being in one of these fighter jets while it’s in the air. “Every time we approach a new project, we go into it with the intent of trying something new and shaking things up for us in terms of its technical aspects and visual style. That wasn’t necessarily the case for Top Gun: Maverick which built upon the original’s visual themes. While on Tron: Legacy they didn’t follow the visual language as closely as the original. Miranda and Kosinski first collaborated together on another sequel – Tron: Legacy – and worked with Cruise on the sci-fi epic Oblivion. Joseph Kosinski filled the large shoes of Tony Scott and Claudio Miranda bridged the visual language between the 1986 and Maverick. Kimball, ASC, and produced by the conjoined forces of Don Simpson and Jerry Bruckheimer.įor Top Gun: Maverick, on the other hand, Bruckheimer would remain as one of the few key players from the original film. The original film was directed by the late Tony Scott, lensed by cinematographer Jeffrey L. Top Gun (1986) is known for cocky fighter pilots, daring aerial feats, and most of all, camaraderie. Printed Film Format: D-Cinema (also 3-D version).Cinematographic Process: Digital Intermediate (4K) (master format).Laboratory: Company 3, Los Angeles (CA), USA (digital intermediate) (dailies).Lenses: Main Unit | Sigma Prime Arri/Zeiss Master Prime Zeiss Compact Zoom Fujifilm/Fujinon Premier Zoom, Premista Zoom Cinemagic Revolution snorkel-lens system || Jet Interior and Exterior | Voigtländer Heliar Hyper Wide, Ultra Wide, Super Wide Zeiss Loxia || Air-to-Air | Fujifilm/Fujinon Cabrio zoom || Ground-to-Air | Fujifilm/Fujinon Premier Zoom Canon zoom, prime.Aspect Ratio: 2.39:1, 1.90:1 (for IMAX presentation). ![]() Limited Computer-generated Imagery (CGI).The film’s star Tom Cruise describes Maverick best – it’s a “true love letter to aviation.” We will take a closer look below at how exactly they achieved such amazing aerial cinematography from highlighting camera rigs that fit in the limited space of cockpits, training the cast to help manage cinematography duties, and collaborating with experts from the U.S. The filmmakers combined the latest in camera technology with elite pilot advisors and a little movie magic to capture the visceral impact of Mach-speed aviation. After experiencing a film that opts for practical solutions like Top Gun: Maverick, it recalibrates your cinematic barometer.Īs Jerry Bruckheimer says, “We’re going to really show you what it takes to be a TOP GUN pilot.” Bruckheimer goes on to remark that the chances of another aviation film of this caliber are unlikely to happen again anytime soon. While audiences today are all too familiar with CGI in their action flicks, the over-polished feel of green screen technology is still very much perceptible to the average viewer. The result was authentic performances that could never be replicated with CGI. Top Gun: Maverick revolutionized aerial cinematography by placing actors and camera systems directly in the cockpit of real fighter jets. ![]()
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